Amanda Levete warns UK government: “Do not mess with trans-European collaboration”
London architect Amanda Levete has warned that, if the UK government doesn’t provide certainty over Brexit soon, it will result in a major shortfall in the country’s creative talent pool.
Speaking at a Brexit conference in London, the AL_A founder said that the UK leaving the European Union is set to dismantle a “spirit of co-operation” that has taken decades to build, and has huge implications for the creative industries.
“My message to our leaders is: do not mess with this trans-European collaboration,” she told the audience.
“It’s not just about trade and what we can extract, it’s about culture and society. It’s about the exchange of talent and knowledge and respect for each other’s nations.”
Levete considering part-relocation to Paris
Levete revealed she is considering moving part of her architectural studio to Paris, in the fear she won’t be able to recruit enough talented staff after Brexit.
“I would be derelict in my duty if I were not now exploring the potential for having a base in the EU,” she said.
“We are being actively encouraged to set up an office in Paris and they’re making it financially competitive because they see the value that a practice like ours would bring to the city,” she continued.
“But this is a distraction for us and it sends the wrong message. Our studio and our discipline have collaboration at its core. Having separate offices for people with different passports runs completely counter to those values.”
Talent must be imported so ideas can be exported
The Creative Industries Federation invited Levete to give the speech as part of an event billed as the “single largest gathering of creative industries on Brexit”. The aim was for UK creatives, business leaders and politicians to set out their priorities, to inform the government’s Brexit trade negotiations.
Levete said that, without access to talent and expertise from Europe, she feared the UK would struggle to maintain its position as a world leader in architecture and design.
“In the 20th century, Britain went from the position of being the “workshop of the world” when we sent finished goods across the globe, to being the “workshop for the world”, importing talent and exporting ideas,” she stated.
“If we can’t import the talent, how can we export the ideas?”
“We depended on talent and expertise from architects and specialists from across Europe,” she explained.
“By way of example, the porcelain tiles for the courtyard required two years of intense research with a manufacturer based in The Netherlands. Yes, we have great manufacturers in Britain. But we cannot replace the expertise that we don’t have,” she added.
“Tichelaar is the oldest company in Holland and they’ve been working with ceramics for over 400 years. In future, Dutch tiles may prove to be too expensive and we’ll have to use cheaper, inferior products for our national museums.”
Levete warned that uncertainty about the UK’s trade future with Europe will not only discourage talented staff but will also affect the way that institutions like the V&A operate.
“All clients – and especially public institutions – need cost certainty. But unknown tariffs and delays at customs will give cause for alarm,” she said.
“Rather than a bold new Britain, we will become more cautious and risk-averse. And that runs completely counter to creative thinking.”
Two years later, she said one of her biggest concerns is that the culture of “democracy, openness and creativity” that has underpinned the UK’s creative sector is under threat.
“The creative industries are engaged, enterprising and solve problems every day. It’s what we do,” she said.
“We have a voice that is listened to and respected on an international stage. But loss of talent will hugely dilute our voice and the UK’s pre-eminence in the creative sector. We need to mobilise now and to hold our leaders to account – so that Britain remains a creative nation – of hope, diversity and tolerance.”